M. PAGE GREENE/PAGE PERSON
BIOGRAPHY
Born 1972, Atlanta, GA
Lives and works in Los Angeles
EDUCATION
1996
BFA, Atlanta College of Art, Atlanta, GA
SOLO EXHIBITIONS
2024
100% Person, Noon Projects, Los Angeles
I’m Not a Witch at All, Highways Performance Space, Santa Monica
Green Screen Vocal Sac, Human Resources, Los Angeles
2021
I Am a Person, ALT+CTRL+DEL, Los Angeles
2017
They/Them, 4026 Figueroa, Los Angeles
2009
Pictures of Women, Deitch Projects, New York
2007
The Defenders of Reality, Peres Projects, Los Angeles
2006
Surrender!, Deitch Projects, New York
2005
The Wilderness is Gathering Her Children Once Again, Peres Projects, Berlin
2004
We Are the Dead, Modern Art Inc., London
She Who Casts the Darkest Shadow on Our Dreams, Peres Projects, Los Angeles
2003
Return to the Cemetery of Rock, Sandroni Rey, Los Angeles
GROUP EXHIBITIONS
2024
Communicator Series, 2220 Arts, Los Angeles
21+, Performance Art Museum, Los Angeles
2023
Made in LA: Acts of Living, Hammer Museum, Los Angeles
2022
Garage Sale 2, Human Resources, Los Angeles
Venice Pride, Venice Boardwalk, Los Angeles
Tipping Points, LAXART, Los Angeles
Live Artists Live, University of Southern California, Los Angeles.
HRLA Divas Live, Human Resources, Los Angeles
2021
Bitches Rule Cycle 3, Upstairs at Paul’s, Los Angeles
Via Cafe, Tif Sigfrids, Comer GA
Weirdo Night, Zebulon, Los Angeles
2019
Performing Abstraction, Last Projects, Los Angeles
Compound Fracture, 200 Humboldt, Los Angeles
2018
Teeth and Consequences, Private Places, Portland
Language: Art for Leonard Peltier, LAWS, Los Angeles
2016
Black and White Mike, Eagle Rock Center for the Arts, Los Angeles
2013
Painting in Place, LAND, Los Angeles
Summer Show, Artist Curated Projects, Los Angeles
2012
Perpetual Conceptual:Echoes of Eugenia Butler, LAND, Los Angeles
2011
On Forgery: Is One Thing Better Than Another? LAXART, Los Angeles
Queering Sex, Human Resources, Los Angeles
Postermat, The Hole, New York
Feast of the Black Jackal, Luckman Fine Arts Gallery, California State Univeristy, Los Angeles
2010
Legal Tender, Martha Otero, Los Angeles
Re:Form School, Re:Du and The Hole, New York
Perform Now! Festival, Human Resources Gallery, Los Angeles
The Secret Knows, Los Angeles Nomadic Division, Austin, TX and Los Angeles
Homunculi, Canada, New York
Skin Fruit, Curated by Jeff Koons. New Museum, New York
2008
Brooklyn is Burning, Glasslands Gallery, Brooklyn
Against the Grain, Los Angeles Contemporary Exhibitions
Mannerfantasien 2, COMA, Berlin
Anthology, Otero Plassart, Los Angeles
The Left Hand of Darkness, The Project, New York
Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK
Past, Present, Future Perfect, Selections from the Ovitz Family Collection, H&R Block Artspace at the Kansas City Art Institute, Kansas City
2007
Panic Room, selections from Dakis Joannou Works on Paper, Deste Foundation, Athens
Fractured Figure, Deste Foundation, Athens
Gravity’s Rainbow, Peres Projects, Athens
Traum + Trauma, Kunsthalle Wien, Austria
Eden’s Edge, Curated by Gary Garrels, Armand Hammer Museum, Los Angeles
2006
Only the Paranoid Survive, Hudson Valley Center for Contemporary Art, Peekskill, NY
Stuart Shave/Modern Art, London
Swallow Harder: Selections from the Collection of Ben and Aileen Krohn, Frye Art Museum, Seattle
Panic Room, Works from the Dakis Joannou Collection, Deste Foundation Centre
For Contemporary Art, Athens
The Youth of Today, Curated by Matthias Ulrich, Schirn Kunsthalle, Frankfurt
2005
LAXed: Paintings from the Other Side, Peres Projects, Berlin
The Zine UnBound: Kults, Werewolves and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco
Translation, Palais de Tokyo, Paris
Draw, Galerie du jour agnès b., Paris
I Love Music, Creative Growth, Oakland, CA
JT Leroy, Origins of Harold, Deitch Projects and Art Production Fund, New York
The Dogs, Karen Lovegrove, Los Angeles
Noctambule, D’Amelio Terras / Fondation Dosne–Bibliotheque Thiers, Paris
Nina Bovasso, Matthew Greene, Lara Schnitger: Obsession, Diana Stigter Gallery,
Amsterdam
Axxxpresssunizm, Vilma Gold, London
Drunk vs. Stoned, Gavin Brown Enterprises at Passerby, New York
2004
Matt Greene & Banks Violette: lovesongs for assholes / the sixty-edged sword of the
androgyne, Peres Projects, Los Angeles
2003
Scream, Anton Kern Gallery, New York and The Moore Space, Miami
RETREAT, Peres Projects, Los Angeles
K48 Now Players, Curated by Scott Hugg, D’amelio Terras, New York
Transnational Monster League, Curated by Banks Violette, Derek Eller Gallery, New
York
1999
Tri-Annuale, Part One, Curated by Andrea Zittel, Los Angeles
1994
The Freed Weed, Curated by Dennis Cooper, Richard Telles Fine Art, Los Angeles
BOOKS AND CATALOGUES
Skin Fruit: Selections from the Dakis Joannou Collection. New Museum: New York.
MYTHTYM, Edited by Trinie Dalton. Picturebox: New York.
Hellbound: New Gothic Art. Edited by Francesca Gavin. Laurence King: London.
25,000 Years of Erotic Freedom, Edited by Eva Prinz. Abrams: New York.
The Judith Rothschild Foundation for Contemporary Drawings Collection, Catalogue Raisonné. MOMA Books: New York.
Mannerfantasien 2, COMA: Berlin.
Panic Room, selections from Dakis Joannou Works on Paper, Deste Foundation: Athens.
Fractured Figure, works from the Dakis Joannou Collection. Deste Foundation: Athens.
Traum/Trauma.Works from the Collection Dakis Joannou, Kunsthalle Vienna, Austria.
Eden’s Edge, Curated by Gary Garrels, Armand Hammer Museum: Los Angeles.
Surrender! Solo Exhibition Catalogue. Deitch: New York.
Vitamin D: New Perspectives in Drawing. Phaidon: London.
Translation, Palais de Tokyo: Paris.
She who casts the darkest shadow on our dreams. Solo Exhibition Catalogue. Berlin:
Peres Projects.
Fabricius, Jakob. Yours Truly. Copenhagen: Recent Works.
Cooper, Dennis and Casey McKinney. The Freed Weed. Los Angeles: Richard Telles Fine Art.
BIBLIOGRAPHY
Smith, Roberta, “Skin Fruit: Anti-Mainstream Museum’s Mainstream Show,” The New
York Times, March 4, 2010.
“Eden’s Edge Review,” Frieze, Winter 2007, p.272-73.
Jacobs, Keith, “Matt Greene,” Flaunt Magazine, issue 87, Fall 2007.
“The Defenders of Reality: Matt Greene at Peres Projects, Los Angeles, CA,”
Marginal: The Male California Art Issue, June/July 2007.
Smith, Roberta, “Art in Review: Matt Greene,” The New York Times,
December 22, 2006.
Saul, Amelia, “Interview with Artist Matt Greene,” TheFanzine.com, February 2,
2006.
Seymour, Lori, 2 magazine, Summer 2005, p.57.
Dhillon, Kim, “Matt Greene: dark master of the new gothic,” i-D, March 2005, p.60.
Myers, Julian,“Matthew Greene,” Frieze, Issue 89, March 2005.
Lo, Melissa, “Matthew Greene,” Bridge Magazine, Dec-Jan 2004-5.
Weissman, Benjamin, “Slaves to the Visual: Ten Los Angeles Artists with the Gift,”
The Believer, Dec/Jan 2005, p.28.
Beyer, Charles G., “Scream” Flash Art March-April, p. 60.
Clem, Chivas, “Notes on Gothic” Scream (catalogue), Moore Space, Miami.
Cooper, Dennis, “First Take: Dennis Cooper on Matthew Greene,” Artforum, January
2004, p. 132.
Goodbody, Bridget, “’Scream’ at Anton Kern Gallery” Time Out New York February 5-
12, 2004, p.59.
Johnson, Ken, “Scream” New York Times, Art in Review section, February 13, 2004.
Saltz, Jerry, “Blotto, Meet Buzzed” Village Voice May 11, 2004.
Saltz, Jerry, “Modern Gothic” Village Voice February 4-10, 2004 Vol. XLIX No. 5.